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We think of Gap as a quintessentially American brand: a hardy perennial export from across the Atlantic, selling upbeat, democratic, wearable clothes such as khakis and chinos, T-shirts and brightly coloured knits, plus cute children’s outfits. But while Gap isn’t about to stop doing the classics that have endeared it to customers worldwide during the 28 years since its inception in San Francisco, the autumn/winter collection in a store near you has a decidedly more European flavour.
Why? Well, because the global giant has decided that its growing market on this side of the Pond merits a dedicated, London-based European design team, to give those old Gap favourites a more fashion-forward twist. Thus that man’s parka has a structured hood to give it an edge that’s more Tokyo than San Fran (although it folds down, if that sounds too edgy for you); women’s khakis come in a jodhpur cut; dresses are in timely pinafore and shirt shapes; some of the jeans get skinnier, while the knitwear – always a strong suit for Gap – is a revelation. Think chunky cardigan coats, jumper dresses in creams and greys, plus fine-gauge knits that have been snapped up by every fashionista who can gain access to a showroom sample, perhaps to cope with the four-seasons-all-in-one-day nature of the British summer.
It’s all, well, very fashiontastic, although the folks at Gap assure us that the brand isn’t aiming to be become a “fast fashion” rival to H&M or Topshop. Yet industry pundits whisper darkly – as they plan how to combine their cardy dress with something pricey from Chloé or YSL – about the involvement of not one but two éminences grises in Gap’s bold new European team.
For menswear, that’s Keith Warren, formerly working for Marc Jacobs at fancy-schmancy Louis Vuitton. (Oh, and for those of us chaps who aren’t built like corn-fed, prairie-raised American jocks, both the new tailoring and the sizing will be more to our liking.) And across both collections, the benign influence of Marie-Amélie Sauvé has been much talked about. Sauvé, you’ll be pleased to hear, is fashion editor at French Vogue and chums with Nicolas Ghesquière of Balenciaga fame. It’s no surprise, then, that the new campaign, shown here, features yet another noted “muse”, Amanda (Lagerfeld’s best mate) Harlech, along with other local beauties like Isabella Rossellini’s daughter Elettra and the craggily handsome Dougray Scott. But the good news is that you don’t need a muse’s spending power to get the gear.
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I am quite disappointed to hear that the Gap in the UK are no longer selling ladies khakis. However, I was informed that I would be able to buy ladies khakis in the US! Or, if I was unable to get to the States that I could try menswear. I did this, but the 30"x 30" were too big, and had a different cut. I'm sure many women will be sorry to hear that they'll need to go the the States for a pair of Gap khakis. What research was done to come to the conclusion that women in the UK don't want khakis?
Pamela, London, UK
Or perhaps it's worse! I dread going into Gap when the windows are filled with beige, brown, grey, black and white. No matter how you dress it up: those are the colours they increasingly return to on their palate. And skinnier fit? I have enough trouble nabbing the only ladies XL in the shop. No thanks, Gap!
Men's clothes used to be brighter and I still have and share the men's shirts with my husband: the brighter ones, not the variations on "safe" blue. Other shops are now more exciting to shop in for me: Wallis, Dorothy Perkins, George, Primark, Monsoon, M&S per una especially.
It's the fabrics that let these down: at a touch I can tell if it's a man made fabric. If it is, the white offerings won't dye and I'll be unbearably hot. Cotton, linen and viscose are the best. Gap used to be reliable with their fabrics: they probably still are, but for me it's the colour that's of primary importance! Colour above all! I've become adept at stripping off a layer without disruption.
Carlyle Braden, Croydon, Uk
Gap has had a dedicated European design team for several years now and this influence had already dramatically changed the collections for shoppers in the UK for a number of seasons... Perhaps Autumn/Winter 07/08 is just even better?
Chris, London,